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Spring 2025
Shakespeare Unmasked: Gender, Power, and Performance
on the Renaissance Stage
Plays under discussion:
Cymbeline
12th Night
Two Gentlemen of Verona
This course examines gender, performance, and power in the portrayal of women on the Renaissance stage, focusing on three female characters in Shakespeare’s plays: Cymbeline’s Imogen, Twelfth Night’s Viola, and The Two Gentleman of Verona’s Julia. In a time when men played all the female roles, cross-dressing was more than a theatrical convention—it shaped and reflected cultural views on gender. We will explore what it meant for male actors to voice female characters and how these performances related to the actual status of women in Elizabethan England, particularly under a female monarch.
Did women truly experience a Renaissance? Beyond the stage, we will consider women’s roles in the Renaissance, the Protestant and Catholic Reformations, and the Scientific Revolution. Through historical texts and scholarship, we will assess their contributions and the extent to which their voices were heard or suppressed.
This course will challenge attendees to rethink traditional ideas of gender performance through close readings, historical analysis, and critical theory. By connecting Shakespeare’s theatrical practices to contemporary discussions of gender and identity, we will examine how his plays continue to influence our understanding of power and representation.
📅 Dates: March 3–May 19 (12 weeks)
🕔 Schedule: Every Monday, 5:00 PM–6:30 PM
📍 Format: Hybrid (In-person and online)
Location:
Northampton Center for the Arts – The Barn
33 Hawley Street, Northampton, MA 01060
Website: nohoarts.org
Important Details:
- Please download the SLACK app to access reading materials and bring your laptop.
I am happy help set up SLACK during the first week of class. - Extra readings will be posted on SLACK. Although not required, these materials will
enhance our understanding of the context in which these plays were written. - Feel free to attend the discussions on one, two, or three plays and register
accordingly. As constructed, the plays in this program “speak” to one another, providing
an arc of study and allowing different facets of the topic to emerge and explore.
However, coming to study one play will provide threads to investigate at your own pace.
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Special Guest Speaker: Alexa Joubin
Clothes do not make the man: Rethinking Shakespearean gender-crossing.
Is Twelfth Night a playful comedy of disguise, or does it explore deeper questions of gender identity and trauma? Are Cesario and Viola simply cross-dressed, or do they challenge the gender binary altogether? This interactive presentation with Alexa Alice Joubin delves into speech acts, performativity, and queer dramaturgy, examining how performances of Twelfth Night can be interpreted through a trans lens to think about body dysphoria, harassment, and homelessness.
Join Professor Alexa Alice Joubin, Director of the Digital Humanities Institute at George Washington University, inaugural bell hooks Legacy Award recipient, and co-founder of MIT Global Shakespeare’s digital performance archive, as she explores how Twelfth Night redefines identity and challenges heteronormative storytelling.
Don’t miss this insightful event—register now to join the conversation!
📅 Date: April 7, 2025
🕔 Schedule: Monday 5:00 PM–6:30 PM
📍 Format: Hybrid (In-person & online)
Location:
Northampton Center for the Arts – The Barn
33 Hawley Street, Northampton, MA 01060
Website: nohoarts.org
NOM (at the Northampton Center for the Arts):
Community Shakespeare of New England sincerely thanks Northampton Open Media for their generous support in providing the essential tools—free of charge—that make our hybrid format possible -via Zoom and in person.
Register for Spring 2025!
Please wait for the the Registration payment portal to open after submitting your registration. There is a slight delay.