Dear Shakespeareans and Friends,

I’m thrilled to invite you to take part in our Fall 2025 offerings with Community Shakespeare of New England, now in residence at the Northampton Center for the Arts.

This season marks a new chapter in our journey—after more than a decade of offering Shakespearean programming supported by donations and volunteer labor, we are beginning the path toward sustainability. To that end, we are introducing a modest fee structure to support the continuation and growth of our unique community.

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Main Seminar Series

Join our signature 12-week Shakespeare seminar, which includes guest speakers, deep readings, and conversation in great company.

 

 Fall 2025

Shakespeare and the Collective Voices

Dr. Marie Roche. PhD

Plays under discussion:

Coriolanus
Julius Caesar
Timon of Athens

 

Course Description:

This seminar explores Shakespeare’s Julius Caesar, Coriolanus, and Timon of Athens through the lens of collective and individual expression. Together, we will examine the dynamic tension between speaking for, with, or against the collective—whether that collective is the Roman populace, the Senate, the military, or a circle of confidants. What happens when the voice of one confronts the voice of many? How does Shakespeare dramatize the interplay between public discourse and private will?

Our central inquiry examines the friction between the popular voice and the voice of power—between consensus and command, allegiance and betrayal, protest and persuasion. Coriolanus, the core text of our semester, offers a particularly charged case study in personal ambition clashing with collective will. Through close reading and active exploration, we will unpack its thematic density and consider how it resonates with contemporary questions of political voice, citizenship, and representation.

Alongside Coriolanus, we will study Julius Caesar, which dramatizes the volatile power of oratory and crowd manipulation, and Timon of Athens, a haunting portrayal of betrayal, disillusionment, and the corrosive dynamics of gift economies and false friendship. These plays deepen our understanding of how speech functions in moments of civic rupture, how collective action forms and fractures, and how the individual both shapes and is shaped by the crowd.

Designed for theater-makers, students, educators, and curious participants from all walks of life, this 12-week journey offers a collaborative space to explore Shakespeare’s political imagination—and our own.

 

📅 Dates: September 8, 2025, to December 1, 2025 (12 weeks) ~Potluck on December 8~

🕔 Schedule: Monday, 5:00 PM–6:30 PM

📍 Format: Hybrid (in-person & online)

💵 $250-$500 Sliding Scale

🏢Location:

Northampton Center for the Arts – Barn Door Gallery 

33 Hawley Street, Northampton, MA 01060

Website: nohoarts.org

Important Details:

  • Please download the SLACK app to access reading materials and bringyour laptop.I am happy help set up SLACK during the first week of class.
  • Extra readings will be posted on SLACK. Although not required, these materials will enhance our understanding of the context in which these plays were written.
  • Windows download  Mac download  Linux download

 

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 Shakespeare and the Collective Voices: Workshop Overview 

Co-taught with Sarah Corbyn Woolf and Marie Roche, PhD

 

This workshop, Shakespeare and the Collective Voices, explores the dynamic relationship between the personal voice and the collective voice, as well as the tension between the Popular Voice and the Voice of Power. Our central question is: what distinguishes speaking for, with, or against the Collective? Rooted in both theory and practice, the workshop examines how individual expression collaborates, communicates, and conflicts with group dynamics in the pursuit of power and change. 

Coriolanus is an ideal example of personal ambition clashing with collective will, so it will be our core text. We will analyze the play itself and methods for performing it, including ensemble-building techniques (Jacques LeCoq), “freeing the natural voice,” (Linklater), and shared physicality (Bartenieff Fundamentals). Designed for both theater practitioners and curious participants from any background, this workshop is not only an exploration of Coriolanus and the collective voice but also an active exercise in group dynamics, collaborative conflict, and self-expression within community contexts.

 

📅 Dates: September 29th 

🕔 Schedule: Monday, 5:00 PM–6:30 PM

📍 Format: Hybrid (in-person & online)

💵 Price: included in the semester registration

🏢Location:

Northampton Center for the Arts – Barn Door Gallery

33 Hawley Street, Northampton, MA 01060

Website: nohoarts.org

Shakespeare in Translation: Coriolan en Français

Dr. Marie Roche

 

Prerequisite: Conversational college-level French is required. The class will be conducted entirely in French. A bilingual edition of Coriolanus, translated by Jean-Michel Déprats, will be provided to all participants.

 

Course Description:

This course invites students to engage deeply with Shakespeare’s Coriolanus through the lens of translation, exploring how language shapes meaning, emotion, and cultural resonance. By reading selected passages in both English and French, we will investigate how translation serves not just as a linguistic exercise but as an interpretive act that bridges—and sometimes widens—cultural and historical gaps.

 

Key questions will guide our discussions: How do we experience Shakespeare’s text when it’s no longer in its original language? What is gained or lost in translation—whether in terms of rhythm, wordplay, humor, or cultural nuance? How do translators navigate the challenge of rendering Elizabethan English into contemporary French while preserving Shakespeare’s poetic and rhetorical richness?

 

Students will participate in close readings, comparative analyses, and group discussions to unpack the choices made by translators like Jean-Michel Déprats. We will explore how translation affects tone, character, and meaning and consider the broader role of translation in disseminating Shakespeare’s works across time and cultures. This course is designed for students interested in literature, language, translation studies, and performance, offering a unique opportunity to experience Shakespeare’s enduring influence through the dynamic interplay of languages.

 

📅 Dates: October 1, 8, 15, 22, 29 (5 weeks)

Time: 3 PM–4:30 PM

📍 Format: Zoom

💵 $100-$200 Sliding Scale (Class free of charge for those who have registered for the semester)

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Social Justice and Reparativity in Prison Shakespeare Narratives

Douglas M. Lanier, University of New Hampshire

Doug Folger imageThis talk explores potential tensions and congruences between social justice Shakespeare and reparative Shakespeare in narratives about Shakespeare prison programs. These programs have become a recognized means by which incarcerated individuals pursue personal reform, self-empowerment, and socialization. Yet, this form of 21st-century popular Shakespeare remains under-theorized and under-appreciated as both a distinctive subgenre and a vehicle for Shakespeare’s enduring cultural relevance. 

Using three films as touchstones—Shakespeare Behind Bars (2005), Cesare Deve Morire (Caesar Must Die, 2012), and Sing Sing (2023)—Professor Lanier will examine how these narratives represent Shakespeare’s efficacy (or lack thereof) for incarcerated individuals. He will also explore what cultural and psychological work these stories accomplish, and how they do so.

 

 Additional works to be discussed include:

  • Margaret Atwood’s Hag-Seed
  • Monica Wood’s How to Read a Book
  • Phyllida Lloyd’s all-female Shakespeare trilogy for the Donmar Warehouse

 

📅 Date: Monday October 20th

Time: 5 pm to 6:30 pm-Q&A

📍 Format: Zoom

💵 By Donation Register Here

Special Event!

 

Remember Thy Friends: A Shakespeare Celebration!

 

Community Shakespeare of New England and Cadent Shakespeare Co. warmly invite you to a celebration of the local Shakespeare community, gathering all who love these plays – dabbler and devotee, artist and academic, student and teacher, performer and patron – under one roof. The evening will feature brief reflections, guided conversation, and performances from local artists.

We hope this event will strengthen our community in both spirit and action, with donations going towards plans for an interdisciplinary Shakespeare festival to help pollinate not only across companies and organizations, but also between an academic and an artistic approach to this work. 

📅 Date: November 7, 2025.

Time: Doors open 7 p.m., Program Begins at 7:30 p.m.

📍 Location: The Flex Space – Northampton Center for the Arts
                  33 Hawley Street, Northampton, MA 01060
                  nohoarts.org

💵 Tickets: Suggested Donation: $10-$25-(or more!) 
                 Light refreshments will be available. 

These programs are designed to bring together readers, performers, thinkers, and explorers of Shakespeare from diverse backgrounds. We are building a vibrant, intergenerational, and intellectually curious community—one that welcomes you. Thank you for your financial support.

I look forward to seeing you this fall.

Warmly,

Dr. Marie Roche

Founder/ Director, Community Shakespeare of New England

Registration

If you would like to give extra in support of scholarships for students, guest speakers, or in memory of someone dear, your generosity will be deeply appreciated.
Please let Marie know so she can add it to her website, and the names will be honored on November 7th, 2025.